Concentric Convolutions
Small format acrylic on
canvas and masonite paintings
The center, I had been
taught as a student,” is too be avoided at all costs compositionally”. Yet,
many cultures have embraced this circular center from basketry, the oculus of the
Pantheon in Rome, to the infamous stained glass Rose window found on the south
portal of the Gothic church. Radial balance demands that the eye to
continuously survey all elements within this self-contained compositional
universe. These concentric convolutions, as I refer to them, involve
impasto acrylic applied to square small format canvases and panels. The square
ironically, frames these images. We can see concentric convolutions in many
forms in nature .These include, beyond our planet, the imagery revealed to us
from the Hubble telescope unveils a world of giant abstract forms –nebulae,
light years away. On planet earth we can see similar concentric convolutions in
the human eye, whirlpools, pine cones, cabbage,satellite hurricane imagery,
sunflowers, the human finger print, the whirl hair pattern atop the human head
and even how water swirls before it travels down a sink drain. Electron
microscopes reveal microscopic
Adenovirus particles which have circular patterns. It is this type of
continuous variation I desire to explore in this series of works with seemingly
endless variations.
I notice swirling patterns
of dirt and pecans which coalsece into spiral shapes . It can also be
scientific as theroretical physicists have examined the painterly drips and
streks of Jackson Pollack’s painting process as fractals found in crystals and
galaxies.The work of Marc Tobey( which Jackson
Pollack ij the 1940’s ,studied at length) such as White Journey
painted in 1956, the year of Pollack’s death, is also examined as the nervous
brushwork appears as action filled quarks and nuetrons.
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